{"title":"WORKSHOPS","description":null,"products":[{"product_id":"intro-to-film-photography","title":"INTRO TO FILM","description":"\u003cp data-start=\"636\" data-end=\"763\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"676\" data-end=\"689\"\u003eDate: SATURDAY AUG 22 10AM\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"636\" data-end=\"763\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"676\" data-end=\"689\"\u003eDuration:\u003c\/strong\u003e 2.5 hours\u003cbr data-start=\"699\" data-end=\"702\"\u003e\u003cstrong data-start=\"702\" data-end=\"717\"\u003eClass size:\u003c\/strong\u003e 8–10 students\u003cbr data-start=\"731\" data-end=\"734\"\u003e\u003cstrong data-start=\"734\" data-end=\"758\"\u003eExperience required:\u003c\/strong\u003e None\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"mx0vdo\" data-start=\"765\" data-end=\"793\" class=\"\"\u003eWhat students will learn\u003c\/h3\u003e\n\u003cul data-start=\"795\" data-end=\"1242\"\u003e\n\u003cli data-section-id=\"1fgh93w\" data-start=\"795\" data-end=\"820\"\u003eHow a film camera works\u003c\/li\u003e\n\u003cli data-section-id=\"1ok6usn\" data-start=\"821\" data-end=\"865\"\u003eAperture, shutter speed, ISO, and exposure\u003c\/li\u003e\n\u003cli data-section-id=\"43zdj\" data-start=\"866\" data-end=\"888\"\u003eHow to meter a scene\u003c\/li\u003e\n\u003cli data-section-id=\"1rg5zv3\" data-start=\"889\" data-end=\"932\"\u003eThe differences between 35mm and 120 film\u003c\/li\u003e\n\u003cli data-section-id=\"ug54un\" data-start=\"933\" data-end=\"982\"\u003eColor negative, black-and-white, and slide film\u003c\/li\u003e\n\u003cli data-section-id=\"bj8k3t\" data-start=\"983\" data-end=\"1019\"\u003eHow to choose the right film stock\u003c\/li\u003e\n\u003cli data-section-id=\"6vpzn6\" data-start=\"1020\" data-end=\"1067\"\u003eHow to properly load and unload a 35mm camera\u003c\/li\u003e\n\u003cli data-section-id=\"16fvugs\" data-start=\"1068\" data-end=\"1140\"\u003eHow to avoid light leaks, blank rolls, and accidental double exposures\u003c\/li\u003e\n\u003cli data-section-id=\"1q5aun6\" data-start=\"1141\" data-end=\"1188\"\u003eWhat happens to film after it reaches the lab\u003c\/li\u003e\n\u003cli data-section-id=\"1w6t5j5\" data-start=\"1189\" data-end=\"1242\"\u003eHow negatives are developed, scanned, and delivered\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"1uzu7ch\" data-start=\"1244\" data-end=\"1261\"\u003eWorkshop flow\u003c\/h3\u003e\n\u003cp data-start=\"1263\" data-end=\"1565\"\u003e\u003cstrong data-start=\"1263\" data-end=\"1284\"\u003eFirst 30 minutes:\u003c\/strong\u003e Film cameras, formats, and film stocks\u003cbr data-start=\"1323\" data-end=\"1326\"\u003e\u003cstrong data-start=\"1326\" data-end=\"1346\"\u003eNext 40 minutes:\u003c\/strong\u003e Exposure and light metering\u003cbr data-start=\"1374\" data-end=\"1377\"\u003e\u003cstrong data-start=\"1377\" data-end=\"1397\"\u003eNext 20 minutes:\u003c\/strong\u003e Loading and unloading demonstration\u003cbr data-start=\"1433\" data-end=\"1436\"\u003e\u003cstrong data-start=\"1436\" data-end=\"1456\"\u003eNext 45 minutes:\u003c\/strong\u003e Guided photo walk around downtown Lakeland\u003cbr data-start=\"1499\" data-end=\"1502\"\u003e\u003cstrong data-start=\"1502\" data-end=\"1523\"\u003eFinal 15 minutes:\u003c\/strong\u003e Questions and film-processing walkthrough\u003c\/p\u003e\n\u003ch3 data-section-id=\"1thh4ut\" data-start=\"1567\" data-end=\"1594\"\u003eIncluded with admission\u003c\/h3\u003e\n\u003cul data-start=\"1596\" data-end=\"1797\"\u003e\n\u003cli data-section-id=\"2tdm5j\" data-start=\"1626\" data-end=\"1658\"\u003eStandard development and scans\u003c\/li\u003e\n\u003cli data-section-id=\"145t617\" data-start=\"1659\" data-end=\"1689\"\u003eFilm photography cheat sheet\u003c\/li\u003e\n\u003cli data-section-id=\"apxuhe\" data-start=\"1690\" data-end=\"1724\"\u003eLimited access to loaner cameras\u003c\/li\u003e\n\u003cli data-section-id=\"d8gc7v\" data-start=\"1725\" data-end=\"1753\"\u003eGuided downtown photo walk\u003c\/li\u003e\n\u003cli data-section-id=\"1cwxx5b\" data-start=\"1754\" data-end=\"1797\"\u003eA brief behind-the-scenes look at the lab\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"1tm53me\" data-start=\"1799\" data-end=\"1823\"\u003eStudent should bring\u003c\/h3\u003e\n\u003cp data-start=\"1825\" data-end=\"1932\"\u003eA working 35mm camera, when available. Students requesting a loaner should reserve one during registration. ( IF AVAILABLE )\u003c\/p\u003e","brand":"Lakeland Film Lab","offers":[{"title":"Default Title","offer_id":46202633519290,"sku":null,"price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/2367\/5834\/files\/CopyofCopyofCopyofcomeshoot.png?v=1785204664"},{"product_id":"lightroom-basics-for-film","title":"LIGHTROOM BASICS FOR FILM","description":"\u003cp data-start=\"2373\" data-end=\"2495\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"2373\" data-end=\"2410\"\u003eDATE: SAT AUG 29TH 10AM-12PM LAKELAND LIBRARY MAIN BRANCH\u003c\/strong\u003e\u003cbr data-start=\"2410\" data-end=\"2413\"\u003e\u003cstrong data-start=\"2413\" data-end=\"2426\"\u003eDuration:\u003c\/strong\u003e 2 hours\u003cbr data-start=\"2434\" data-end=\"2437\"\u003e\u003cstrong data-start=\"2437\" data-end=\"2452\"\u003eClass size:\u003c\/strong\u003e 15 students\u003cbr data-start=\"2463\" data-end=\"2466\"\u003e\u003cstrong data-start=\"2466\" data-end=\"2490\"\u003eExperience required:\u003c\/strong\u003e None\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"2497\" data-end=\"2598\"\u003eThis class will be specifically about editing \u003cstrong data-start=\"2539\" data-end=\"2552\"\u003elab scans\u003c\/strong\u003e, not teaching every feature inside Lightroom.\u003c\/p\u003e\n\u003ch3 data-section-id=\"mx0vdo\" data-start=\"2600\" data-end=\"2628\"\u003eWhat students will learn\u003c\/h3\u003e\n\u003cul data-start=\"2630\" data-end=\"3130\"\u003e\n\u003cli data-section-id=\"1dnd8ei\" data-start=\"2630\" data-end=\"2674\"\u003eLightroom Desktop versus Lightroom Classic\u003c\/li\u003e\n\u003cli data-section-id=\"1lnxtlg\" data-start=\"2675\" data-end=\"2714\"\u003eHow to import and organize film scans\u003c\/li\u003e\n\u003cli data-section-id=\"dk1fxs\" data-start=\"2715\" data-end=\"2773\"\u003eHow to correct exposure without destroying the film look\u003c\/li\u003e\n\u003cli data-section-id=\"1xrjuqx\" data-start=\"2774\" data-end=\"2810\"\u003eWhite balance and color correction\u003c\/li\u003e\n\u003cli data-section-id=\"vap2wp\" data-start=\"2811\" data-end=\"2852\"\u003eHighlights, shadows, whites, and blacks\u003c\/li\u003e\n\u003cli data-section-id=\"d62x4s\" data-start=\"2853\" data-end=\"2866\"\u003eTone curves\u003c\/li\u003e\n\u003cli data-section-id=\"1wm15mr\" data-start=\"2867\" data-end=\"2896\"\u003eHSL and basic color grading\u003c\/li\u003e\n\u003cli data-section-id=\"2dhcsw\" data-start=\"2897\" data-end=\"2925\"\u003eCropping and straightening\u003c\/li\u003e\n\u003cli data-section-id=\"auu4t2\" data-start=\"2926\" data-end=\"2947\"\u003eRemoving dust spots\u003c\/li\u003e\n\u003cli data-section-id=\"987sz0\" data-start=\"2948\" data-end=\"2977\"\u003eAdding or controlling grain\u003c\/li\u003e\n\u003cli data-section-id=\"1fz4nw9\" data-start=\"2978\" data-end=\"3001\"\u003eSharpening film scans\u003c\/li\u003e\n\u003cli data-section-id=\"8pom6w\" data-start=\"3002\" data-end=\"3057\"\u003eExport settings for Instagram, websites, and printing\u003c\/li\u003e\n\u003cli data-section-id=\"12xl3dz\" data-start=\"3058\" data-end=\"3098\"\u003eHow to create and save a simple preset\u003c\/li\u003e\n\u003cli data-section-id=\"16ietre\" data-start=\"3099\" data-end=\"3130\"\u003eHow to avoid overediting film\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"1uzu7ch\" data-start=\"3132\" data-end=\"3149\"\u003eWorkshop flow\u003c\/h3\u003e\n\u003cp data-start=\"3151\" data-end=\"3464\"\u003e\u003cstrong data-start=\"3151\" data-end=\"3172\"\u003eFirst 20 minutes:\u003c\/strong\u003e Importing, organizing, and understanding file types\u003cbr data-start=\"3224\" data-end=\"3227\"\u003e\u003cstrong data-start=\"3227\" data-end=\"3247\"\u003eNext 40 minutes:\u003c\/strong\u003e Exposure, white balance, and tonal adjustments\u003cbr data-start=\"3294\" data-end=\"3297\"\u003e\u003cstrong data-start=\"3297\" data-end=\"3317\"\u003eNext 35 minutes:\u003c\/strong\u003e Color correction, curves, and HSL\u003cbr data-start=\"3351\" data-end=\"3354\"\u003e\u003cstrong data-start=\"3354\" data-end=\"3374\"\u003eNext 15 minutes:\u003c\/strong\u003e Dust removal, sharpening, and grain\u003cbr data-start=\"3410\" data-end=\"3413\"\u003e\u003cstrong data-start=\"3413\" data-end=\"3434\"\u003eFinal 10 minutes:\u003c\/strong\u003e Export settings and questions\u003c\/p\u003e\n\u003ch3 data-section-id=\"1thh4ut\" data-start=\"3466\" data-end=\"3493\"\u003eIncluded with admission\u003c\/h3\u003e\n\u003cul data-start=\"3495\" data-end=\"3687\"\u003e\n\u003cli data-section-id=\"1zr04h\" data-start=\"3495\" data-end=\"3524\"\u003eDownloadable practice scans\u003c\/li\u003e\n\u003cli data-section-id=\"1b0gi37\" data-start=\"3525\" data-end=\"3560\"\u003eLightroom film-scan editing guide\u003c\/li\u003e\n\u003cli data-section-id=\"47132o\" data-start=\"3654\" data-end=\"3687\"\u003eBefore-and-after practice files\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"1tm53me\" data-start=\"3689\" data-end=\"3713\"\u003eStudent should bring\u003c\/h3\u003e\n\u003cul data-start=\"3715\" data-end=\"3849\"\u003e\n\u003cli data-section-id=\"lrl3kt\" data-start=\"3715\" data-end=\"3735\"\u003eLaptop and charger\u003c\/li\u003e\n\u003cli data-section-id=\"kihaw7\" data-start=\"3736\" data-end=\"3771\"\u003eLightroom installed and logged in\u003c\/li\u003e\n\u003cli data-section-id=\"tsxl6j\" data-start=\"3772\" data-end=\"3820\"\u003eFive to ten film scans they would like to edit\u003c\/li\u003e\n\u003cli data-section-id=\"1enhio0\" data-start=\"3821\" data-end=\"3849\"\u003eOptional mouse or trackpad\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"dd2h4p\" data-start=\"3851\" data-end=\"3876\"\u003eImportant positioning\u003c\/h3\u003e\n\u003cp data-start=\"3878\" data-end=\"4077\"\u003eTeach students how to \u003cstrong data-start=\"3900\" data-end=\"3910\"\u003efinish\u003c\/strong\u003e a film scan rather than completely change it. The course should emphasize preserving grain, natural skin tones, highlight detail, and the character of the film stock.\u003c\/p\u003e","brand":"Lakeland Film Lab","offers":[{"title":"Default Title","offer_id":46202647773370,"sku":null,"price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/2367\/5834\/files\/CopyofCopyofCopyofcomeshoot-2.png?v=1785205674"},{"product_id":"intro-to-portrait-photography","title":"INTRO TO PORTRAIT PHOTOGRAPHY","description":"\u003cp data-start=\"4294\" data-end=\"4480\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"4294\" data-end=\"4331\"\u003eDATE: SATURDAY SEPTEMBER 19TH\u003c\/strong\u003e\u003cbr data-start=\"4331\" data-end=\"4334\"\u003e\u003cstrong data-start=\"4334\" data-end=\"4347\"\u003eDuration:\u003c\/strong\u003e 3 hours\u003cbr data-start=\"4355\" data-end=\"4358\"\u003e\u003cstrong data-start=\"4358\" data-end=\"4373\"\u003eClass size:\u003c\/strong\u003e 6–8 students\u003cbr data-start=\"4386\" data-end=\"4389\"\u003e\u003cstrong data-start=\"4389\" data-end=\"4413\"\u003eExperience required:\u003c\/strong\u003e Basic understanding of camera controls is helpful but not required\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"4482\" data-end=\"4618\"\u003eThis workshop can welcome both film and digital photographers while keeping the teaching centered on skills that apply to either format.\u003c\/p\u003e\n\u003ch3 data-section-id=\"mx0vdo\" data-start=\"4620\" data-end=\"4648\"\u003eWhat students will learn\u003c\/h3\u003e\n\u003cul data-start=\"4650\" data-end=\"5217\"\u003e\n\u003cli data-section-id=\"ckjrw5\" data-start=\"4650\" data-end=\"4688\"\u003eHow to find flattering natural light\u003c\/li\u003e\n\u003cli data-section-id=\"deyeg8\" data-start=\"4689\" data-end=\"4724\"\u003eOpen shade versus direct sunlight\u003c\/li\u003e\n\u003cli data-section-id=\"fpeo12\" data-start=\"4725\" data-end=\"4762\"\u003eHow to choose a portrait background\u003c\/li\u003e\n\u003cli data-section-id=\"1rytyj4\" data-start=\"4763\" data-end=\"4798\"\u003eLens choice and shooting distance\u003c\/li\u003e\n\u003cli data-section-id=\"19n9j3a\" data-start=\"4799\" data-end=\"4834\"\u003eHow aperture affects the portrait\u003c\/li\u003e\n\u003cli data-section-id=\"1drop68\" data-start=\"4835\" data-end=\"4865\"\u003eHow to expose for skin tones\u003c\/li\u003e\n\u003cli data-section-id=\"1gddlb1\" data-start=\"4866\" data-end=\"4894\"\u003eBasic portrait composition\u003c\/li\u003e\n\u003cli data-section-id=\"1nff9kq\" data-start=\"4895\" data-end=\"4946\"\u003eHeadshots, half-body, and environmental portraits\u003c\/li\u003e\n\u003cli data-section-id=\"iaymqs\" data-start=\"4947\" data-end=\"5002\"\u003eHow to direct someone who is not a professional model\u003c\/li\u003e\n\u003cli data-section-id=\"1vnpcsz\" data-start=\"5003\" data-end=\"5046\"\u003eSimple posing for individuals and couples\u003c\/li\u003e\n\u003cli data-section-id=\"18je4ta\" data-start=\"5047\" data-end=\"5092\"\u003eHow to position hands, shoulders, and faces\u003c\/li\u003e\n\u003cli data-section-id=\"1br306r\" data-start=\"5093\" data-end=\"5117\"\u003eHow to use a reflector\u003c\/li\u003e\n\u003cli data-section-id=\"1qcolst\" data-start=\"5118\" data-end=\"5165\"\u003eHow to communicate confidently while shooting\u003c\/li\u003e\n\u003cli data-section-id=\"w7zbb2\" data-start=\"5166\" data-end=\"5217\"\u003eHow to select the strongest images from a session\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"1uzu7ch\" data-start=\"5219\" data-end=\"5236\"\u003eWorkshop flow\u003c\/h3\u003e\n\u003cp data-start=\"5238\" data-end=\"5484\"\u003e\u003cstrong data-start=\"5238\" data-end=\"5259\"\u003eFirst 30 minutes:\u003c\/strong\u003e Light, composition, and camera settings\u003cbr data-start=\"5299\" data-end=\"5302\"\u003e\u003cstrong data-start=\"5302\" data-end=\"5322\"\u003eNext 30 minutes:\u003c\/strong\u003e Posing and directing a subject\u003cbr data-start=\"5353\" data-end=\"5356\"\u003e\u003cstrong data-start=\"5356\" data-end=\"5376\"\u003eNext 90 minutes:\u003c\/strong\u003e Rotating through two or three shooting setups\u003cbr data-start=\"5422\" data-end=\"5425\"\u003e\u003cstrong data-start=\"5425\" data-end=\"5446\"\u003eFinal 30 minutes:\u003c\/strong\u003e Image review, critique, and questions\u003c\/p\u003e\n\u003ch3 data-section-id=\"1thh4ut\" data-start=\"5486\" data-end=\"5513\"\u003eIncluded with admission\u003c\/h3\u003e\n\u003cul data-start=\"5515\" data-end=\"5789\"\u003e\n\u003cli data-section-id=\"20w5wv\" data-start=\"5515\" data-end=\"5554\"\u003eOne professional or experienced model\u003c\/li\u003e\n\u003cli data-section-id=\"1iy0yuq\" data-start=\"5555\" data-end=\"5585\"\u003eTwo to three portrait setups\u003c\/li\u003e\n\u003cli data-section-id=\"1q7rg4n\" data-start=\"5586\" data-end=\"5644\"\u003eNatural-light demonstrations\u003c\/li\u003e\n\u003cli data-section-id=\"15wkzkc\" data-start=\"5645\" data-end=\"5686\"\u003eReflectors and basic lighting equipment\u003c\/li\u003e\n\u003cli data-section-id=\"16pnq3t\" data-start=\"5687\" data-end=\"5710\"\u003ePortrait posing guide\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"1rkumb8\" data-start=\"5767\" data-end=\"5789\"\u003eGroup image critique\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"1tm53me\" data-start=\"5791\" data-end=\"5815\"\u003eStudent should bring\u003c\/h3\u003e\n\u003cul data-start=\"5817\" data-end=\"5983\"\u003e\n\u003cli data-section-id=\"9m71vc\" data-start=\"5817\" data-end=\"5841\"\u003eFilm or digital camera\u003c\/li\u003e\n\u003cli data-section-id=\"zh7gxe\" data-start=\"5842\" data-end=\"5886\"\u003eA lens between approximately 35mm and 85mm\u003c\/li\u003e\n\u003cli data-section-id=\"wtxlul\" data-start=\"5887\" data-end=\"5906\"\u003eCharged batteries\u003c\/li\u003e\n\u003cli data-section-id=\"me2kdq\" data-start=\"5907\" data-end=\"5928\"\u003eMemory card or film\u003c\/li\u003e\n\u003cli data-section-id=\"1ke7qcq\" data-start=\"5929\" data-end=\"5983\"\u003eLight meter when their film camera does not have one\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lakeland Film Lab","offers":[{"title":"Default Title","offer_id":46202657308858,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/2367\/5834\/files\/CopyofCopyofCopyofcomeshoot-3.png?v=1785206183"},{"product_id":"darkroom-basics","title":"DARKROOM BASICS","description":"\u003ch1\u003eDARKROOM PRINTING BASICS\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eDATE: OCT 24TH 10AM-1PM LAKELAND FILM LAB ST. PETE\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eDuration:\u003c\/strong\u003e 3 hours\u003cbr\u003e\u003cstrong\u003eClass size:\u003c\/strong\u003e 4 \u003cbr\u003e\u003cstrong\u003eExperience required:\u003c\/strong\u003e None\u003cbr\u003e\u003cstrong\u003eLocation:\u003c\/strong\u003e Lakeland Film Lab, St. Pete\u003c\/p\u003e\n\u003ch2\u003eClass Description\u003c\/h2\u003e\n\u003cp\u003eDarkroom Printing Basics introduces students to the traditional black-and-white printing process. Students will learn how to safely work inside a darkroom, operate an enlarger, create test strips, make exposure adjustments, and produce their own black-and-white silver gelatin print.\u003c\/p\u003e\n\u003cp\u003eThe class focuses on printing an existing black-and-white negative. Film development will be offered as a separate advanced workshop so beginners have enough time to focus on making a quality print.\u003c\/p\u003e\n\u003ch2\u003eWhat Students Will Learn\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eHow a traditional black-and-white darkroom works\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDarkroom safety and chemical handling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe difference between film development and darkroom printing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to identify the emulsion side of a negative\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to load a negative into an enlarger carrier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to operate a photographic enlarger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to focus and frame an image\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow aperture affects print exposure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to make and evaluate a test strip\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to select an exposure time\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow contrast filters work\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe developer, stop bath, fixer, and wash process\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBasic dodging and burning\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to evaluate print density and contrast\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to wash and dry a finished print\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to properly clean the darkroom workspace\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWorkshop Schedule\u003c\/h2\u003e\n\u003ch3\u003eDarkroom Introduction and Safety\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e20 minutes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudents receive a tour of the darkroom and learn the basic rules for working around enlargers, chemicals, water, and photographic paper.\u003c\/p\u003e\n\u003cp\u003eTopics include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSafelight rules\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChemical tray order\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProper use of tongs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChemical contact precautions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eKeeping wet and dry areas separate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCleaning procedures\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eEnlarger Demonstration\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e30 minutes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe instructor demonstrates the complete printing setup.\u003c\/p\u003e\n\u003cp\u003eStudents learn how to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eInsert a negative into the carrier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTurn on the enlarger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdjust image size\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFocus the negative\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSet the enlarger aperture\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePosition photographic paper\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eChoose a contrast filter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCreating a Test Strip\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e30 minutes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach student creates a test strip using their selected negative.\u003c\/p\u003e\n\u003cp\u003eThe instructor explains:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eExposure intervals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to read highlights and shadows\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to identify underexposure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to identify overexposure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHow to choose the best starting exposure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMaking the First Print\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e45 minutes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudents expose and process their first full sheet of photographic paper.\u003c\/p\u003e\n\u003cp\u003eThe print moves through:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cp\u003eDeveloper\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStop bath\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFixer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWater wash\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStudents evaluate the print with the instructor and identify the changes needed for the next attempt.\u003c\/p\u003e\n\u003ch3\u003eImproving the Print\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e40 minutes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudents create a second print using adjustments based on their first result.\u003c\/p\u003e\n\u003cp\u003ePossible changes include:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eExposure time\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEnlarger aperture\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eContrast filter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCropping\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDodging\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBurning\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFinal Print and Cleanup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e15 minutes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudents complete their final print, wash it, place it on the drying rack, and clean their workstation.\u003c\/p\u003e\n\u003ch2\u003eIncluded With Admission\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eUse of the darkroom and enlarger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhotographic chemicals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to five sheets of 8 × 10 black-and-white photographic paper\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNegative sleeves\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTest strip materials\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDarkroom printing reference guide\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOne finished 8 × 10 print\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProtective apron and gloves\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAccess to shared darkroom tools\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat Students Should Bring\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eOne strip of properly developed black-and-white negatives\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClosed-toe shoes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClothes that can potentially be stained\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNotebook or phone for taking notes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eStudents without a black-and-white negative can select from a small collection of practice negatives provided by Lakeland Film Lab.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lakeland Film Lab","offers":[{"title":"Default Title","offer_id":46202702332090,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/2367\/5834\/files\/CopyofCopyofCopyofcomeshoot-4.png?v=1785206481"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0733\/2367\/5834\/collections\/Copy_of_Copy_of_come_shoot.png?v=1785207005","url":"https:\/\/lakelandfilmlab.com\/collections\/workshops.oembed","provider":"Lakeland Film Lab","version":"1.0","type":"link"}